Library Resources (ENG 225)

Norse Mythology explores the magical myths and legends of Norway, Sweden, Denmark, Iceland and Viking-Age Greenland--outlining along the way the prehistoric tales and beliefs from these regions that have remained embedded in the imagination of the world. The book begins with an Introduction that helps put Scandinavian mythology in place in history, followed by a chapter that explains the meaning of mythic time, and a third section that presents in-depth explanations of each mythological term. These fascinating entries identify particular deities and giants, as well as the places where they dwell and the varied and wily means by which they forge their existence and battle one another. We meet Thor, one of the most powerful gods, who specializes in killing giants using a hammer made for him by dwarfs, not to mention myriad trolls, ogres, humans and strange animals. We learn of the ongoing struggle between the gods, who create the cosmos, and the jötnar, or giants, who aim to destroy it. In the enchanted world where this mythology takes place, we encounter turbulent rivers, majestic mountains, dense forests, storms, fierce winters, eagles, ravens, salmon and snakes in a landscape closely resembling Scandinavia. Beings travel on ships and on horseback; they eat slaughtered meat and drink mead. Spanning from the inception of the universe and the birth of human beings to the universe's destruction and the mythic future, these sparkling tales of creation and destruction, death and rebirth, gods and heroes will entertain readers and offer insight into the relationship between Scandinavian myth, history, and culture.

Authoritative, comprehensive reference incorporating the latest research on tales, literary and oral sources, and the broad-reaching cultural legacy of Norse mythology. The book describes the pagan origins of Scandinavia, the interaction between the Vikings and other Europeans, and the concept of time in Norse mythology, and gives a dictionary of deities, themes, and concepts. With 200 entries of up to four pages each, the dictionary includes both well-known characters like Thor and minor figures such as Gleipnir, the "fetter with which the wolf Fenrir was finally bound." It also includes further references about Viking and medieval Scandinavia, archaeology, etymology, the conversion of Iceland, other encyclopedias, and more.

An innovative and accessible overview of how ancient Scandinavians understood and made use of their mythological stories. Old Norse Mythology provides a unique survey of the mythology of Scandinavia: the gods Þórr (Thor) with his hammer, the wily and duplicitous Óðinn (Odin), the sly Loki, and other fascinating figures. They create the world, battle their enemies, and die at the end of the world, which arises anew with a new generation of gods. These stories were the mythology of the Vikings, but they were not written down until long after the conversion to Christianity, mostly in Iceland. In addition to a broad overview of Nordic myths, the book presents a case study of one myth, which tells of how Þórr (Thor) fished up the World Serpent, analyzing the myth as a sacred text of the Vikings. Old Norse Mythology also explores the debt we owe to medieval intellectuals, who were able to incorporate the old myths into new paradigms that helped the myths to survive when they were no longer part of a religious system. This superb introduction traces the use of the mythology in ideological contexts, from the Viking Age until the twenty-first century, as well as in entertainment.

Volcanoes in Old Norse Mythologydetails how Viking Age Icelanders, migrating from Scandinavia to a new and volcanically active environment, used Old Norse mythology to understand and negotiate the hazards of the island. These pre-Christian myths recorded in medieval Iceland expound an indigenous Icelandic theory on volcanism that revolves around the activities of supernatural beings, such as the fire-demon Surtr and the gods Odin and Thor. Before the Icelanders were introduced to Christianity and its teachings, they formulated an indigenous theory of volcanism on basis of their traditional mythology much like other indigenous peoples across the world.

Stories of Ireland and Wales have been combined with tales of love, war and slaughter deeds both noble and ignoble. In this classic study, MacCulloch proves that Celtic legend borrowed from preCeltic mythology, just as Christianity in Britain subsumed much of the Celtic past.

A comprehensive and accessible survey of one of the world's richest mythological traditions. It covers the people, themes, concepts, places, and creatures of Celtic mythology, saga, legend, and folklore from both ancient and modern traditions, in 4,000 entries ranging from brief definitions to short essays. An introductory essay explores the origins and identity of Celts, the history of the Celtic revival, and the meaning and role of mythology.

Retells the legendary history of Britain by recounting stories and legends from the dark centuries of British prehistory to the 9th century AD - tales of giants and fairies, druids and saints, King Lear, King Arthur and Old King Cole, all interrelated and presented with fresh significance.

For the first time, Philip Freeman brings together the best stories of Celtic mythology. In these stories a mysterious and invisible realm of gods and spirits exists alongside and sometimes crosses over into our own human world; fierce women warriors battle with kings and heroes, and even the rules of time and space can be suspended.

This reference offers a broad overview of the elements that constitute and characterize Celtic mythology and folklore. Approximately 1000 entries cover such topics as mythic figures; heroic figures; narrative and epic cycles; sacred places and objects; and theories and controversies.

The myths of the Celts relate epic stories of heroic ancestors, when the divine and mortal realms were intimately bound up with each other and gods and goddesses inhabited the natural world. These stories are rich with religious symbolism and give an idea of how the Celts perceived the world in which they lived. They also tell of the lives of the people themselves: of kings and queens, husbands and wives, warriors and farmers.